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	<title>The Hill &#187; Poetry</title>
	<atom:link href="http://www.hillmag.com/tag/poetry/feed" rel="self" type="application/rss+xml" />
	<link>http://www.hillmag.com</link>
	<description>HillMag.com, website of The Hill Magazine</description>
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			<item>
		<title>Big Issues</title>
		<link>http://www.hillmag.com/featured/big-issues</link>
		<comments>http://www.hillmag.com/featured/big-issues#comments</comments>
		<pubDate>Tue, 25 Aug 2009 14:47:34 +0000</pubDate>
		<dc:creator>Matt Henderson</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Society]]></category>

		<guid isPermaLink="false">http://www.hillmag.com/?p=241</guid>
		<description><![CDATA[A poem inspired by a Big Issue seller.]]></description>
			<content:encoded><![CDATA[<p><span id="more-241"></span></p>
<p>Big Issue! Would anybody like an issue today?<br />
Music, theatre, sport, news and many other features too.<br />
Would anyone like a Big Issue? Don&#8217;t be shy, come buy folks.<br />
Something different, to read later on maybe?<br />
Would anyone like a<br />
Big Issues in society today, where we can go home and say<br />
that it&#8217;s okay for someone to be on the street in the cold,<br />
hoping you&#8217;ll stop and pay for a magazine he can&#8217;t even read,<br />
because he&#8217;s &#8220;working not begging&#8221; even though he&#8217;s grey and old,<br />
Did you ever stop and count the issues he sold?<br />
Not half as many as the rubbish we&#8217;re sold by the press,<br />
by men in suits trading souls for gold.<br />
Would anyone like a big issue in their life?<br />
Would anyone like to think about their wife<br />
working on the street in his situation,<br />
sleeping on a bench in an underground station.<br />
Where the only thing done about her plight,<br />
was to write about it, to write about<br />
Something different, to read later on maybe?<br />
Hard to see amongst the music, theatre, sport, news and<br />
many other facial features staring gauntly out of the grey pages,<br />
speckled black with meaningless words<br />
promising hope and a future, and the first year&#8217;s credit absolutely free,<br />
and the answers to your prayers with cosmetic surgery that will make you look fine,<br />
So you can use your pile of gold that you got after remortgaging your soul on a falling market<br />
to buy some time to lie down<br />
before the bell chimes, telling you &#8220;your time is up number 32,<br />
Please come in now, this is the end of your trip, have a nice day,<br />
don&#8217;t forget to visit our gift shop on your way out,<br />
don&#8217;t forget to pay,<br />
don&#8217;t be shy, come buy folks,<br />
Don&#8217;t be shy, come buy failure written down,<br />
turned around and sold by someone who missed you whilst you were away,<br />
wrote a big issue about you,<br />
cried into a shirt-sleeve about you,<br />
about the time you ran away,<br />
about the time you didn&#8217;t say why my time had come,<br />
about the time I stood in the rain,<br />
About time to go- just leave,<br />
amd in the long caresses of the night-time weave a web of dreams<br />
for all the people in the world to walk upon,<br />
still soft, though relics of a time long gone,<br />
Tread oft the halls of solitude but fear not the dark,<br />
as you wear nothing but sway stark naked into the distance,<br />
He shall be your ark and watch over you,<br />
and spread flowers beneath your feet,<br />
and wash your hair with spring water,<br />
whilst his daughters waft perfumed sweetness into the air,<br />
and the heady scent strokes your mind to rest,<br />
with a pillow of silk and a bed of tissue.<br />
Dream on, and dream not of your big issues.</p>
<p style="text-align: right;">by Tristan Withers</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Low Shoulders</title>
		<link>http://www.hillmag.com/poetry/low-shoulders</link>
		<comments>http://www.hillmag.com/poetry/low-shoulders#comments</comments>
		<pubDate>Tue, 25 Aug 2009 14:42:22 +0000</pubDate>
		<dc:creator>Matt Henderson</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.hillmag.com/?p=239</guid>
		<description><![CDATA[A short poem.]]></description>
			<content:encoded><![CDATA[<p><span id="more-239"></span></p>
<p><strong>Low Shoulders</strong></p>
<p>Glowing like fake pearls<br />
In her skin my eyes<br />
Aren’t enough. She is awake<br />
As silver rustles. But<br />
Cautious in the cold I<br />
Have been always clumsy.<br />
I rip chintz and mugs<br />
Split. I will not crack her.<br />
We will both sigh, but she<br />
Will be whole and open<br />
For pilgrims who have tidy hair.</p>
<p style="text-align: right;">By MAFC</p>
]]></content:encoded>
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		<item>
		<title>Futures &#8211; Perpetual Motion&#8230;</title>
		<link>http://www.hillmag.com/poetry/futures-perpetual-motion-dry-aspirations-sorcery</link>
		<comments>http://www.hillmag.com/poetry/futures-perpetual-motion-dry-aspirations-sorcery#comments</comments>
		<pubDate>Tue, 25 Aug 2009 14:39:34 +0000</pubDate>
		<dc:creator>Matt Henderson</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.hillmag.com/?p=236</guid>
		<description><![CDATA[Some poems by Sophie Peacock]]></description>
			<content:encoded><![CDATA[<p><span id="more-236"></span></p>
<p><strong>Futures</strong></p>
<p>The trick of the light<br />
Shrinking into form;<br />
Billowing out to women<br />
Picking their apples,<br />
Now ingrowing, finding<br />
The reserve of the summit.<br />
My bedsheets dance when<br />
I am out the room<br />
Reading books,<br />
Always aware the reverse<br />
Is true.<br />
I lost my courage from hunting -<br />
A spear replaced my spine;<br />
The irony in being found.</p>
<p><strong>Perpetual Motion</strong></p>
<p>Why do I rotate and spin,<br />
Whirling whipping up<br />
the cavernous concrete sky.<br />
I would<br />
Maybe like to come down<br />
but I&#8217;m afraid I will burn out<br />
Dissipate into the ether,<br />
Sand in a whirlwind,<br />
Consuming as I am<br />
consumed<br />
Without boundaries<br />
As I flounder.<br />
Why do I not cling on<br />
To some tangible<br />
Border<br />
Some steadfast rock<br />
Like a human<br />
Instead of paddling in<br />
the deep end,<br />
staring at the shore<br />
wading like a bird.</p>
<p><strong>Dry</strong></p>
<p>One straight line weaving down<br />
like a subway folding at the end<br />
as an envelope does.<br />
There is no construction that tries to change<br />
its function,<br />
the created stays unmalleable,<br />
my face remains the same.<br />
Yet in my crippled vision<br />
of how the axes try to<br />
circumnavigate the<br />
men<br />
with only one virtue,<br />
I find I am a battered scrap<br />
of uncultivated soil, covered in clay<br />
Like stone<br />
like steel<br />
like you can&#8217;t break the windows here.<br />
Bring about this distancing,<br />
my self propelled aspirations.<br />
I want the line to wander<br />
on<br />
And kill this sole transmission.<br />
No use has come<br />
from being clay -<br />
I&#8217;m dried out<br />
and no one knocks<br />
like when my knees<br />
Become water for fools.<br />
The sight of the pretence<br />
touches down cleanly on the rough land.<br />
I am all solace and<br />
grudges<br />
that burn when<br />
I breathe.</p>
<p><strong>Aspirations</strong></p>
<p>My one line of vision,<br />
Carved like none<br />
of the land,<br />
is fighting<br />
soil on soil<br />
for a chance to be<br />
unsettled.<br />
If I were just<br />
a bluebird&#8217;s perch<br />
sturdy and covered<br />
with scratches like a smile<br />
like a heart that scorches<br />
the arms of my clothes,<br />
then I would be a<br />
beauty queen<br />
and all my teeth would tear.</p>
<p><strong>Sorcery</strong></p>
<p>We built extravagance<br />
With agile hands<br />
And straight laced affinity<br />
For practising eligibility<br />
To dismantle witches<br />
And their vile bleeding<br />
Over our necks where<br />
The dust should settle<br />
And the cream curdles firmly<br />
Because we choose<br />
To wreck eyes<br />
naïve eyes<br />
Jagged eyes<br />
That can&#8217;t sleep.</p>
<p style="text-align: right;">by Sophie Peacock</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Mario Petrucci</title>
		<link>http://www.hillmag.com/featured/mario-petrucc</link>
		<comments>http://www.hillmag.com/featured/mario-petrucc#comments</comments>
		<pubDate>Tue, 31 Mar 2009 14:54:57 +0000</pubDate>
		<dc:creator>Matt Henderson</dc:creator>
				<category><![CDATA[Editor's Choice]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[science]]></category>

		<guid isPermaLink="false">http://www.hillmag.com/?p=211</guid>
		<description><![CDATA[EDITOR'S CHOICE. Award winning poet Mario Petrucci on Science and Poetry.]]></description>
			<content:encoded><![CDATA[<p><span id="more-211"></span><br />
EDITOR&#8217;S CHOICE</p>
<p>Award winning poet Mario Petrucci on Science and Poetry: </p>
<p><object width="640" height="505"><param name="movie" value="http://www.youtube.com/v/L-eyJJiBYs4&#038;hl=en&#038;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/L-eyJJiBYs4&#038;hl=en&#038;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="505"></embed></object></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Death of a Naturalist</title>
		<link>http://www.hillmag.com/featured/death-of-a-naturalist</link>
		<comments>http://www.hillmag.com/featured/death-of-a-naturalist#comments</comments>
		<pubDate>Fri, 27 Feb 2009 14:58:56 +0000</pubDate>
		<dc:creator>Matt Henderson</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Comparative Poetry]]></category>

		<guid isPermaLink="false">http://www.hillmag.com/?p=152</guid>
		<description><![CDATA[A piece of comparative poetry based on Seamus Heaney's Death of a Naturalist.]]></description>
			<content:encoded><![CDATA[<p><span id="more-152"></span><br />
<strong> Death of a Naturalist</strong>- Seamus Heaney</p>
<p>All year the flax-dam festered in the heart<br />
Of the townland; green and heavy headed<br />
Flax had rotted there, weighted down by huge sods.<br />
Daily it sweltered in the punishing sun.<br />
Bubbles gargled delicately, bluebottles<br />
Wove a strong gauze of sound around the smell.<br />
There were dragon-flies, spotted butterflies,<br />
But best of all was the warm thick slobber<br />
Of frogspawn that grew like clotted water<br />
In the shade of the banks. Here, every spring<br />
I would fill jampotfuls of the jellied<br />
Specks to range on window-sills at home,<br />
On shelves at school, and wait and watch until<br />
The fattening dots burst into nimble-<br />
Swimming tadpoles. Miss Walls would tell us how<br />
The daddy frog was called a bullfrog<br />
And how he croaked and how the mammy frog<br />
Laid hundreds of little eggs and this was<br />
Frogspawn. You could tell the weather by frogs too<br />
For they were yellow in the sun and brown<br />
In rain.<br />
Then one hot day when fields were rank<br />
With cowdung in the grass the angry frogs<br />
Invaded the flax-dam; I ducked through hedges<br />
To a coarse croaking that I had not heard<br />
Before. The air was thick with a bass chorus.<br />
Right down the dam gross-bellied frogs were cocked<br />
On sods; their loose necks pulsed like sails. Some hopped:<br />
The slap and plop were obscene threats. Some sat<br />
Poised like mud grenades, their blunt heads farting.<br />
I sickened, turned, and ran. The great slime kings<br />
Were gathered there for vengeance and I knew<br />
That if I dipped my hand the spawn would clutch it.</p>
<p><strong>Birth of a Naturalist</strong> –Shani Cadwallender</p>
<p><em>&#8216;Between my finger and my thumb<br />
The squat pen rests; I&#8217;ll dig with it&#8217;</em><br />
- Seamus Heaney</p>
<p>That window and the dark getting in<br />
And hiding the dust in corners<br />
And my face there on the glass like a<br />
Fainting spell or when<br />
The room spins with spirits.<br />
And outside the lamplight reflection<br />
Of inside, like tracing paper<br />
Held up to sky, the shape of leaves behind,<br />
The picture changes in the frame, no clean<br />
Lines, no flat, neat world but the rustling of<br />
Thickets and the slime<br />
Of gross-bellied frogs and the mud<br />
Alive with earthworms</p>
<p>I think I&#8217;ll run into October<br />
Meet the chill air with clogged lungs<br />
Pull up grass in green-stained fistfuls<br />
Not look back at this lit window<br />
Scratch at soil with blunted fingers<br />
Leave the clocks and hairdryers,<br />
The dustbins and the telephones,<br />
And harrowing the wordless ground<br />
Will silence all their hollow sound.</p>
<p>A pen is lighter than a spade<br />
But my words dig me graves.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Inside the Hourglass</title>
		<link>http://www.hillmag.com/poetry/inside-the-hourglass</link>
		<comments>http://www.hillmag.com/poetry/inside-the-hourglass#comments</comments>
		<pubDate>Fri, 27 Feb 2009 12:20:49 +0000</pubDate>
		<dc:creator>Matt Henderson</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.hillmag.com/?p=143</guid>
		<description><![CDATA[Let us count the sandgrains on the beach.
We know little, daily less,
And if I reach
For your hand,
It will slip like sand
Through my weeping fingers...]]></description>
			<content:encoded><![CDATA[<p><span id="more-143"></span>Let us count the sandgrains on the beach.<br />
We know little, daily less,<br />
And if I reach<br />
For your hand,<br />
It will slip like sand<br />
Through my weeping fingers.<br />
As we grow, we regress.</p>
<p>For why else would we weep but keep<br />
The salt sea locked away?<br />
An empty hand,<br />
A barren strand,<br />
Where no sandcastles play.</p>
<p>For castles<br />
Are too dry a dream,<br />
So dream we not at all;<br />
And sit is all we do, and wait,<br />
For running, we might fall.</p>
<p>No sea, see we,<br />
But salt and sand,<br />
Stretching, stretching,<br />
Far<br />
And<br />
Bland,<br />
Our blanket to eternity.</p>
<p style="text-align: right;">by Alashiya Gourdes</p>
]]></content:encoded>
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		<item>
		<title>The Space In-Between</title>
		<link>http://www.hillmag.com/poetry/the-space-in-between</link>
		<comments>http://www.hillmag.com/poetry/the-space-in-between#comments</comments>
		<pubDate>Fri, 27 Feb 2009 12:16:16 +0000</pubDate>
		<dc:creator>Matt Henderson</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.hillmag.com/?p=140</guid>
		<description><![CDATA[The space in-between
The wall
And the washing-machine
Is small...]]></description>
			<content:encoded><![CDATA[<p><span id="more-140"></span><br />
The space in-between<br />
The wall<br />
And the washing-machine<br />
Is small.</p>
<p>I can measure it between<br />
Thumb and forefinger<br />
And yet<br />
That is where I linger.</p>
<p>I crawled in<br />
Not to fall.<br />
A place<br />
To be safe.</p>
<p>And small.</p>
<p>For I have two fine feet,<br />
But am standing<br />
Upon none.<br />
My head is not of brick,<br />
But nor is my conscience clean;<br />
I,<br />
I am the space<br />
In between.</p>
<p style="text-align: right;">by Alashiya Gourdes</p>
]]></content:encoded>
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		<item>
		<title>The Stolen Bicycle</title>
		<link>http://www.hillmag.com/poetry/the-stolen-bicycle</link>
		<comments>http://www.hillmag.com/poetry/the-stolen-bicycle#comments</comments>
		<pubDate>Fri, 27 Feb 2009 12:15:05 +0000</pubDate>
		<dc:creator>Matt Henderson</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.hillmag.com/?p=137</guid>
		<description><![CDATA[Wheels spin and dread unfolds,
The thump of the empty space is deep...]]></description>
			<content:encoded><![CDATA[<p><span id="more-137"></span>Wheels spin and dread unfolds,<br />
The thump of the empty space is deep.<br />
A small boy’s tears, a grown man’s bread,<br />
That’s the thread, the thread so red<br />
And cold.<br />
And cold.</p>
<p style="text-align: right;">by Alashiya Gourdes</p>
]]></content:encoded>
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		<item>
		<title>The Karmic Spot</title>
		<link>http://www.hillmag.com/poetry/the-karmic-spot</link>
		<comments>http://www.hillmag.com/poetry/the-karmic-spot#comments</comments>
		<pubDate>Fri, 27 Feb 2009 12:13:48 +0000</pubDate>
		<dc:creator>Matt Henderson</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.hillmag.com/?p=135</guid>
		<description><![CDATA[We all looked like whores this year.
On our knees]]></description>
			<content:encoded><![CDATA[<p><span id="more-135"></span><br />
We all looked like whores this year.<br />
On our knees</p>
<p>Begging for it to end, knowing<br />
It was only just beginning.</p>
<p>You told me to be true, to be<br />
As true as any theory could predict.</p>
<p>A feeling that bled<br />
Through the pages and tore</p>
<p>Into the nights. I opened my mouth<br />
For the exact moment</p>
<p>And still only blowflies came out<br />
While you peered at me</p>
<p>From the corner of the page,<br />
Retching away syllables like a child.</p>
<p>Disgusted, I turned away and made<br />
Several vows and broke several vows.</p>
<p>And still there was no beauty in<br />
Blowflies nor comfort while on</p>
<p>My knees. The moon was already waning<br />
And your plea had already been effaced.</p>
<p style="text-align: right;">by Matthew Child</p>
]]></content:encoded>
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		<item>
		<title>No sunlight where our dreams fall</title>
		<link>http://www.hillmag.com/poetry/no-sunlight-where-our-dreams-fall</link>
		<comments>http://www.hillmag.com/poetry/no-sunlight-where-our-dreams-fall#comments</comments>
		<pubDate>Fri, 27 Feb 2009 12:12:23 +0000</pubDate>
		<dc:creator>Matt Henderson</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.hillmag.com/?p=133</guid>
		<description><![CDATA[Small routines,
The nooses horizons hang upon...]]></description>
			<content:encoded><![CDATA[<p><span id="more-133"></span><br />
Small routines,<br />
The nooses horizons hang upon<br />
Floating<br />
Formlessly in the forest,<br />
Our grandest thoughts amongst the leaf-litter.</p>
<p style="text-align: right;">by Matthew Child</p>
]]></content:encoded>
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</rss>
